Conflict in a Cannes

Netflix, via its movie premieres at the celebrated Cannes Film Festival, has gotten a resounding, “Non!” (no) from the famously film-loving French. Well, at the very least there were boos.

Jordan Zakarin has a piece in Inverse from last Friday about how this really reflects on Hollywood more than Netflix. Essentially, Netflix is making a bet on films Hollywood no longer wants to (because they’re so enamored of franchises and tentpole films). Alissa Wilkinson has a piece in Vox from yesterday that explains the controversy in terms of competing film cultures… which also goes into how Netflix is filling a vacuum left by Hollywood.

I’ll be interested to see how this plays out, but as I noted back in February, when Netflix greenlit Martin Scorsese’s The Irishman, I’m pleased to see the how they’re trying to make ducats and lots of content by letting known talents make films the studios no longer deem bankable.

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