Tag Archives: Awards

They Like Me, They Really Like Me… But not as Best Picture

Earlier this week, the Academy of Motion Picture Arts and Sciences (aka the people behind the Oscars) announced they were adding a “Best Popular Movie” category.

(I mean, it’ll probably be called “most bestest outstanding achievement in popular film” or something like that, but you know what I mean).

On the one hand, it’s their awards and award process, so change away. On the other hand, why shouldn’t they tweak and adjust and change their award categories and methodology as they have just about every decade?

(By the way, I absolutely think one of the tweaks should be adding “Best Stunt Choreography” category — and no, you don’t need to eliminate any of the other awards to add that).

But on the third hand –and it’s really better you don’t ask where the third hand comes from– there’s something of a whiff of desperation simultaneously coupled with a complete lack of understanding of why the general public does or doesn’t find the Oscars relevant that really should have been resolved during The Dark Knight “lack o’ Best Picture nom kerfuffle.”

(An article in Variety appears to validate that there is some desperation involved).

It sounds like a bad idea to me… and it also sounds like a bad idea to Vox’s Todd VanDerWerff who has many thoughts on the subject. I agree with many of them, including the notion that maybe it’ll not turn out to a bad idea.

Their track record at nominating worthy “genre films” for Best Picture does not reinforce that notion however.

UPDATE: The crew at Vox came up with 6 categories to introduce rather than “Best Popular Film” and I’m happy to say it includes one for stunt choreography. I generally am down with all the categories. I think the “Best First Film” would really bring some excitement into the proceedings the same as I see similar awards in other places. The one caveat I’d suggest from chatting about the categories on social media is that the “Best Motion Capture Peformance” should be awarded to the performer and the lead artists/animators. I think that’d be a cool way to remind people of the team creative effort it is.

Recommended Reading: The Hugo Awards and the Pop Culture Zeitgeist

Amy Wallace expands and updates her look at this year’s Hugo Awards and the people involved that she first reported on in August. I found the first version very illuminating and this latest version is just that or more so: really going into some of the personalities and passions on the different sides.

It’s certainly true that you should write from your own perspective. Chasing trends is generally not an ingredient in a unique voice. At the same time, I count the denizens of speculative fiction as my tribe, so I think it’s good to know some of the conversations the tribe is having (in this case, it appears there’s some discussion of who gets to be in the tribe).

P.S. Here’s a closer look at the Alfie Awards mentioned in the article.