Banned Books Week 2023 is almost upon us, so it’s time for me to finalize what book or books I’ll be reading next week — and you might be in the same boat! Often I go looking for books that have been historically challenged, but the current vitriol against the free flow of ideas has led to a lot of books being challenged or outright banned in a lot of different localities across the country. … Read more
So I’ll have a longer post in October as previously mentioned, but for those seven or nine people actually getting some updates about the strikes from this blog, a tentative deal has been struck between the AMPTP and the WGA as reported various places. As you’ll see in the article linked above, there are several procedural steps that are not perfunctory that involve the WGA West and East boards validating the deal and then, importantly, … Read more
Evidently, meetings will resume between the WGA and AMPTP staring tomorrow, Wednesday, September 20th, so just a few things to update from the Strikes. “Hot Strike Summer” continues to radiate heat throughout the film industry and beyond. The studios suspended some development deals with more established writers, some of whom were about to meet with the studios before the main WGA/AMPTP meeting was announced. Related to labor organizing Marvel VFX artists have been feeling the … Read more
We’re at the end of Summer with the start of Labor Day Weekend, we’re well over 100 days into the WGA strike, and we do have some developments since both strikes began. But before I get to that, I should cover what hasn’t changed. It’s still a puzzler as to why the companies haven’t settled considering what is being asked. AMPTP, the group representing the companies (both the traditional studios like Paramount and the streamers … Read more
More people than I expected read my Thursday update about the WGA/SAG-AFTRA strikes, so I figured I should do a brief follow-up. For one, I didn’t read the Deadline article closely enough as it turns out the WGA and AMPTP were just meeting about meeting (I’ve made a correction to the Thursday post as it’s still getting some clicks). Sadly, but not unexpectedly, the meeting did not result in agreeing to resume negotiations. In the … Read more
So, it’s August and both the screenwriters and the screen actors are still striking. The WGA is meeting about returning to the negotiating table this Friday, but that doesn’t mean their strike is ending and, at the time of me writing this, there’s no news on AMPTP talking with SAG-AFTRA (though per that article, they’d be happy to). I’ve gone back and tagged all my relevant posts about the strike(s) for ease of reference, but … Read more
Going from studio villains from earlier this week to the villains writers concoct for studios, I stumbled across this article by Tom Smyth for Vox about villians in Disney films… or the recent lack thereof. I have to admit, villains are very much on my mind of late as I try and and finish writing season 3 of my space opera, Rogue Tyger. The season includes the introduction of a “big bad” villain only hinted … Read more
Being a fan of Peter Rabbit, tricksters, and folklore in general, I had a trifecta of reasons to dive into this scholarly article by Emily Zobel Marshall from The Conversation about the how Beatrix Potter’s stories owe more than a little to some influences far from the English countryside.
Yes, I am continuing to follow news about the Writers’ Strike and, yes, given my previous posts of Adam Conover videos, there was really doubt I’d post a video with Adam Conover talking about the Writers’ Strike? (I mean, he was one of the WGA folks in the negotiating room): One of the arguments you hear early in the video goes something like this: That got me thinking about how the studios are defining “profitable,” … Read more
I am still following accounts of the Writers’ Strike, which looks like it’ll be a long one, but while you can continue to check out information, like the Strike Diaries from the Hollywood Reporter, for today, I wanted to just post about film, specifically a great example where writing, performance, and fight choreography comes together beautifully. I’m talking about the climactic duel in the 1956 comedy The Court Jester. I love the duel because, as … Read more