If I had a dollar for every time I heard or read about major studios being too risk averse, I could fund feature films to my heart’s content… or could I? Films cost a lot of money, which is why there aren’t 147 major studios and, as one indie filmmaker friend of mine is wont to say, money isn’t a thing, it’s the thing. So how did such a small non-studio become such a major…
I mean, the writing has been on the blog posts for some time now. I even had one back last year where far more professional prognosticators saw what the future would hold with streaming. Well, not only are the belts tightening on prestige TV series, streaming services are making sure you, the viewer, will pay more. Sigh.
So I’ve been meaning to do a few more posts about screenwriting and I realized I never followed up on “The 11 Laws of Showrunning by Javier Grillo-Marxuach” which I wrote about back in April… and which shows how the year is racing away from me. You see, I meant to follow up the next week with this interview with Javier Grillo-Marxuach where he talks about the 11 Laws, his books Shoot This One and…
I am in the evidently crowded camp of people wary of many a trailer because they reveal too much of the plot. However, I do still enjoy trailers that give you the feel of the film journey they want you to take: you have an idea of the characters, the genres, the tropes to be honored, the tropes to be subverted, and the overall tone. These days, the trailers that pull this off are usually…
I’ve been thinking of Monday’s post about Roger Corman and how B movies are chock full of tropes. Tropes for days! This reminded me of another Corman story where the movie poster was created before the film: it provided the inspiration for what the film would be. I forget the specifics. It might have been a giant dinosaur rampaging downtown a la Godzilla or even Beast from 20,000 Fathoms. A delightful creature feature trope to…
Roger Corman, the producer of close to 500 feature films and the director of over 50, has died at the age of 98. You can read obituaries and appreciations about his career from: A common theme amongst the pieces is not only how prodigious his filmography is, but how various films within it represent “the break” for a nontrivial amount of filmmakers from directors like Francis Ford Coppola to Martin Scorsese to James Cameron as…
I came across Javier Grillo-Marxuach’s “Eleven Laws of Showrunning” in the context of the entertainment industry not having the best management training for showrunners, the creative captains who steer a narrative show through all aspects of pre-production, production, and post-production. One of the notions raised in yesterday’s post was the fact that, well, a lot of people in a lot of industries are promoted to a management position… and the results are less than ideal.…
One of the nice outputs of reading Maureen Ryan’s Burn it Down, that I referenced last week, was to learn about Javier Grillo-Marxuach’s guide “Eleven Laws of Showrunning.” (PDF link) This guide was mentioned in the context of needing good management. So many showrunners are writers who have created the ideas of the show and are expert at both writing and solving writing problems, but they so often have zero managerial experience. Not only that,…
While I was covering the WGA and SAG-AFTRA strikes last year, an obvious question for a follow-up was what the future of Hollywood would be. While there’s certainly been a lot of pieces since the end of the strikes, one of the conversations I found that touched on this was with Adam Conover on his Factually podcast. It’s from August of last year, arguably during the height of the strikes. I actually linked to it…
I’ve been working on additional film industry posts, but in the meantime, this brief article about an adjacent industry caught my eye. Video games are a huge business — and from talking with some industry folks here and there, they experience some of the same bull that the film industry rank and file experience, so I read this piece by Lauren Morton for PC Gamer with that in mind.