Still thinking of The Late Show coming to an end last week, I enjoyed one of Colbert’s jokes: that he’d probably wind up hosting a cable access show. I clearly forgot that, back in 2015, that’s exactly what he did in the run-up to his tenure on The Late Show. So, in what must have been planned as part of his exit, Colbert closed his show Thursday… and then he went back to host that…
Speaking of all good things coming to an end as I was on Tuesday, tonight is a good thing I definitely don’t want to end: The Late Show with Stephen Colbert. Tonight is its last night. In fact, they may have finished recording their final episode by the time you’re reading this. And I was reminded by a fellow theatrical how important a theater space is. That it can be like a garden where people…
The Empire Strikes Back came out in 1980, a time long before today’s norms where you can wait a few months for any film in theaters to make it to streaming. So it was not uncommon to go back and see a film in the theater again. Alas, unbeknownst to us young Star Wars fans, Empire had an additional enticement for cinema-goers in the UK, Australia, and Scandinavia. George Lucas liked the idea of playing…
As I mentioned back in February, I’ve been musing about a longer piece about AI, the catch-all if imprecise term lobbed at the current crop of large language models (e.g. ChatGPT, Claude, Co-Pilot, Grok, Gemini, etc.). I get more examples of videos and articles motivating me to write that longer piece on AI every week. The current hucksterism selling AI strikes me as the same overconfident idiocy that led some to believe microwaves would replace…
I’m in the midst of some other writing, so to feed the Internet algorithm, I give you Screen Junkies’ now-annual tradition of explaining all the best picture nominees in their irreverent manner. You can check out all the nominees on the academy’s web page and if you’re wondering which films to cram in before Sunday’s ceremony, Joe Reid over at Vulture gives you his ranking of all 50 films nominated. It’s been years since I’ve…
Anecdotally, I’m given to understand many purveyors of horror and spine-tingling thrillers are some of the nicest, chillest folks around… so I though of that when I came across this excerpt from a 1964 CBC interview with celebrated filmmaker Alfred Hitchcock: Interviewer: Mr. Hitchcock, what is your definition of happiness? Alfred Hitchcock: A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive and that’s withing yourself.…
It’s the new year and if you haven’t already locked in your resolutions and resolution-related plans, have I got a post for you: a 26-minute breakdown of 20 tactics to make for a better 2026 from Daniel Pink. I first read Pink’s work with Free Agent Nation and then later Drive, which sent me down the scientifically-structured rabbit hole of “flow” back in the day. So when the almighty YouTube algorithm served up Pink’s videos…
Since the return of thousands of works entering the public domain again in 2019, I’ve been posting about it — and given site traffic and feedback, y’all want me to, so here goes this year’s edition (previous entries should all be tagged). Note that I’m specifically talking about the United States, where, as of today, creative works published in 1930 and sound recordings from 1925 are free to use without licenses or fees. If you’re…
It’s definitely time people start thinking about making New Year’s resolutions or otherwise mapping out things they want to get done for the year ahead. And I’m suggesting that, whatever those plans are, it should include some art. This should not come as a surprise. I have advocated this whole wacky “making art thing” on this blog multiple times as my seven or nine regular readers may remember. Whether it’s a post I did about…
No, not if the play’s gone wrong. That’s its own thing. And I don’t mean the Shaun of the Dead has gone wrong. That’s as brilliant as Shaun’s plan to get to the Winchester is daft. I just needed a good image of befuddlement. But we have all watched films where we’re befuddled about how unremarkable it is, haven’t we? Well, longtime writer Mark Evanier has a theory on why some films are like that.…