Lest any of you think I’m going to populate the blog with repeatedly grim tales of people being sucky (as I have for a couple Wednesdays and this morning), I just wanted to highlight the Patton Oswalt interview I linked in last week’s post about film distribution.
Really, if you are at all interested in his career or perspective on things (he is a tremendous film geek in addition to his other geekdoms), the hour will fly by. And it’s applicable to any creative industry.
Those of you who know I grew up listening to vintage radio will understand that I jumped at the chance to provide a radio announcer voice for that era… and I’m very happy that it’s part of the short film Desolate Dreams, being developed now by filmmaker Kiyoka Rhodes and a fantastic team. Besides the video, be sure to check out their website to learn more about the people working to bring this film to life and how you can support it.
As one filmmaking colleague I know has mentioned, “Money isn’t an issue, it’s the issue.”
And many creative endeavors rely on crowdfunding these days. Hence my previous post about the audio drama Apollyon (which I should mention I and the other cast & crew really do want to get funded to continue the story).
As many of you may know, the audio theater troupe I run, Jabberwocky Audio Theater, has its shows start on broadcast radio, WERA-LP 96.7 FM in Arlington, Virginia to be precise.
WERA is community radio, as in the program literally comes from the community. And it gives back, with news, coverage of local events, and some of the best value in media training around (which includes TV as well, since WERA is part of Arlington Independent Media).
But it also depends on the community for financial support in the best of times, so this past year has hit them hard, and Arlington Independent Media is looking to keep on going through their 39th year and beyond. They’ve been integral to our getting Jabberwocky Audio Theater off the ground again in 2018 and we’d love to see them continue.
Besides straight-up donating to them, they also have an auction going on as well as a special virtual concert fundraiser this weekend. Spread the word!
Posted in Acting, Producing, Various and Sundry
Hey, I mentioned last month that I was in an upcoming audio drama… and it’s here:
The first episode is online, along with a link to a fundraiser which will allow the producers to pay for the rest of the season, including making sure we actors get paid. So, especially if you’re a fan of human-centric thoughtful science fiction, give episode one a listen and spread the word. And if you are able, any ducats would be appreciated.
I’ve voiced a few characters for audio fiction podcasts in the past few months (not including Jabberwocky Audio Theater) and one of those debuts in less than 30 days!
Apollyon is one of those thoughtful science fiction stories that I love. You can learn more about the story and check out the trailer at the website.
More soon.
An actor whose magnetic presence matched or exceeded his six foot, four frame, Yaphet Kotto has died at the age of 81.
Remembrances can be found across the internet, including:
While it’s almost certain I first saw Kotto in Alien, the performance that will always stick with me was seeing him on stage as Troy Maxson in August Wilson’s Fences.
Through all the power, fragility, strength, and weakness in that character was a presence that just couldn’t be faked. As an actor and as a casting director, I obsess about actors “inhabiting” their characters to the right degree — and Kotto always did so. Amazingly so.
And I should point out he could inhabit all sorts of characters in a variety of genres. For Midnight Run, his turn as FBI agent Alonzo Mosely is a perfectly realized straight man in an action-comedy whose plot was anything but straightforward. His gravitas weathers all the shenanigans and manages to ground the film in the stakes, especially at the end.
Although he turned down an opportunity to be Lando Calrissian in The Empire Strikes Back, evidently in part to avoid being typed in “space” films, he did come awfully close to being in another venerable sci-fi franchise.
Yes, apparently he was close to being Jean-Luc Picard in Star Trek: The Next Generation. That would have been a very different Picard, but man would I like to see the stories from that timeline.
Time and again, the appearance of Yaphet Kotto has meant you’re getting a damn fine performance. I’m overdue to revisit his turn as Lt. Al Giardello in Homicide: Life on the Street, a series I should check out again anyway.
You want to talk about the bonus situation? The bonus situation was whenever Yaphet Kotto showed up. May his memory be a blessing.
As some friends and fellow filmmakers know, I have offered to be the DC-area Sean Bean –the National Capital Area “kirareyaku,” so to speak– is he really the man (or woman) we’ve see die the most on screen?
Find out the answer in this video where film spoilers abound:
The events of last Wednesday are still dwelling on my mind, so it was nice to catch this article by Lia Kvatum in the Washington Post Magazine about an itinerant creative who’s connecting communities to their history through theater. It provides some much needed light and joy… and the notion that we can communicate with one another.
Reading about how Ashley Hanson has been traveling to different communities and talking with the people reminds me of both how the Federal Theatre Project had a whole “think national, act local” approach to productions as well as the more recent Playback Theatre‘s attempts to translate personal experiences into short plays.
When it comes to theater, I am biased, what with it being a “non-trivial” portion of my working life, to say nothing of participating in some of the “walking theater” mentioned in the article (although my part got to be on stage). I believe live theater has a way of connecting and impacting people in a way that will make it just as relevant 100 years from now as it was 1,000 and more years ago. So I wish Hanson and others great success in hundreds more towns across America, because it means connecting and deep listening.
The end of this week will feature the latest edition of my biennial Favorite Films list, so I suppose I have films on my mind.
Some of the earliest films I saw were short films, thanks to my dad and the Arlington County library which had them. And I do mean films! We had a projector at home, which was often used for birthday parties and other events. This inevitably meant those masters of movie comedy, Laurel and Hardy.
Now, I’m by no means a Laurel and Hardy scholar, for that sort of discussion, you’ll want to check out this excellent interview with film historian Leonard Maltin and general pop culture history maven Mark Evanier, but I am looking for ways to introduce my kids to these classic (Looney Tunes have gone over pretty well, but they’re not the biggest fans of live action… yet).
And as another argument to make sure Laurel and Hardy are in their cinematic upbringing, there’s this remembrance from Mark “Jedi” Hamill:
As several of you are likely aware, I do casting for independent productions in the DC area (not just for Jabberwocky Audio Theater). Much of this is centered around the Stonehenge Auditions, which I’ve done since 2005.
One of the fellow annual events that DC actors are well aware of is called Monologue Madness.
It’s usually scheduled around March, to coincide with another well-known madness, but as with so many events this year, it has been pushed back and is now online.
I will be one of the judges this year, which makes me very happy, as I know there’s going to be some great monologues.