While it’s almost certain I first saw Kotto in Alien, the performance that will always stick with me was seeing him on stage as Troy Maxson in August Wilson’s Fences.
Through all the power, fragility, strength, and weakness in that character was a presence that just couldn’t be faked. As an actor and as a casting director, I obsess about actors “inhabiting” their characters to the right degree — and Kotto always did so. Amazingly so.
And I should point out he could inhabit all sorts of characters in a variety of genres. For Midnight Run, his turn as FBI agent Alonzo Mosely is a perfectly realized straight man in an action-comedy whose plot was anything but straightforward. His gravitas weathers all the shenanigans and manages to ground the film in the stakes, especially at the end.
Although he turned down an opportunity to be Lando Calrissian in The Empire Strikes Back, evidently in part to avoid being typed in “space” films, he did come awfully close to being in another venerable sci-fi franchise.
Yes, apparently he was close to being Jean-Luc Picard in Star Trek: The Next Generation. That would have been a very different Picard, but man would I like to see the stories from that timeline.
Time and again, the appearance of Yaphet Kotto has meant you’re getting a damn fine performance. I’m overdue to revisit his turn as Lt. Al Giardello in Homicide: Life on the Street, a series I should check out again anyway.
You want to talk about the bonus situation? The bonus situation was whenever Yaphet Kotto showed up. May his memory be a blessing.
As some friends and fellow filmmakers know, I have offered to be the DC-area Sean Bean –the National Capital Area “kirareyaku,” so to speak– is he really the man (or woman) we’ve see die the most on screen?
Find out the answer in this video where film spoilers abound:
Reading about how Ashley Hanson has been traveling to different communities and talking with the people reminds me of both how the Federal Theatre Project had a whole “think national, act local” approach to productions as well as the more recent Playback Theatre‘s attempts to translate personal experiences into short plays.
When it comes to theater, I am biased, what with it being a “non-trivial” portion of my working life, to say nothing of participating in some of the “walking theater” mentioned in the article (although my part got to be on stage). I believe live theater has a way of connecting and impacting people in a way that will make it just as relevant 100 years from now as it was 1,000 and more years ago. So I wish Hanson and others great success in hundreds more towns across America, because it means connecting and deep listening.
The end of this week will feature the latest edition of my biennial Favorite Films list, so I suppose I have films on my mind.
Some of the earliest films I saw were short films, thanks to my dad and the Arlington County library which had them. And I do mean films! We had a projector at home, which was often used for birthday parties and other events. This inevitably meant those masters of movie comedy, Laurel and Hardy.
As several of you are likely aware, I do casting for independent productions in the DC area (not just for Jabberwocky Audio Theater). Much of this is centered around the Stonehenge Auditions, which I’ve done since 2005.
One of the fellow annual events that DC actors are well aware of is called Monologue Madness.
It’s usually scheduled around March, to coincide with another well-known madness, but as with so many events this year, it has been pushed back and is now online.
I will be one of the judges this year, which makes me very happy, as I know there’s going to be some great monologues.
Odds are, you’ve heard Rob Paulsen do voices in any of a number of shows. In this 20-minute video, he returns to his Detroit stomping grounds to deliver a TEDx talk, which was enlightening and entertaining.