I’ve been pleased to see all the memes on social media reminded everyone that they’re taking solace in the output of artists, whether it’s books, music, or films.
So many of my friends are not only creative freelancers, but ones involved with film, theater, and television: creative pursuits where they have to go someplace to do their gig and get paid. And those places are, by and large, now closed (film and TV production has halted across the continent and live theaters are, by and large, closed).
This is not to diminish any other job which requires one go to a physical space to do it. So many of us have to do it (and I’m now acutely aware of all my friends in “essential” jobs that now find themselves on “front lines”), but part of the fun of doing some of these creative jobs is you go to a certain place and do your best to make some magic.
Perhaps no group is associated with some childhood magic-making in the 70s, outside of Jim Henson and his cohorts, would be Sid and Marty Krofft.
While I’ll be honest that their many shows were never “must-see TV” like “The Muppet Show,” I absorbed them all, forming a critical part of my generation’s 70s psychedelic pop culture references.
Anecdotally, I’ve heard many positive things about working on the Krofft shows, so, especially given my own minor efforts to make magic, I’m always interested in what makes teams work.
Matt Hurwitz delves into the history and people involved in Krofft shows in an article in Variety from February this year… and Jevon Phillips, in an article from 4 years ago from the LA Times, goes into some of the reboots the Kroffts have been doing.