Sigh. Much like Bugs Bunny, superhero films might not be considered “high art,” but they’re not going away anytime soon. Besides which, Kareem Abdul-Jabbar already covered this: he’s not wrong, but he’s not right.
Toxic fans and risk-averse studios seem much better targets for umbrage — and finding ways to fund the types of films Coppola and Scorsese make without relying on the hell-bent-for-content motivation Netflix has? That just might be more worthwhile.
Now, in the face of a more meditative and gritty look at the origins of Joker –with more than a few homages to Martin Scorsese’s films– Scorsese himself felt the need to denigrate the Marvel film juggernaut as not “cinema.”
Now, on the one hand, that assertion is silly. It’s like saying a hamburger isn’t food because its preparation and presumed nutritional value isn’t on par with the fare from a three-star Michelin restaurant (and yes, you won’t surprise me if you produce examples of people asserting just that).
In any case, even though vast distances can be crossed in three days or three weeks “at maximum warp” based the needs of the episode, official unofficial definitions of how faster than the speed of light Star Trek‘s warp speeds have been documented. So, Warp 9.9 –basically the point where Scotty would presumably tell Kirk in no uncertain terms that the Enterprise is about to fly apart– is 2,083 times the speed of light. That’s fast.
So I don’t agree with the headline that warp speed is “achingly slow” –I mean I’d like to get to the next star system in the same time it take us to get to the other side of the planet– it only goes so far, so fast.
While I don’t currently work in the non-profit realm, I spent many years working at theaters that were, almost invariably, non-profits.
The anthropology of theaters is worth another post (or really, a book), but suffice it to say that pretty much all the theaters I’ve ever worked at started based on the zeal and passion of a handful of people. They were artistic start-ups, if you will. Time and again, I saw theaters that hit a plateau in terms of growth that seemed to invariably include what I came to call “the poverty mentality.” It was a thriftiness driven to pathological extremes of cheapness.
One energetic creator and entrepreneur whose resources I’ve shared before is Russell Nohelty. One of his recent posts goes into all the various ways you can try and build up the business side of your creative business, including the prime importance of having and cultivating a mailing list. But lest you want more, he does go into detail on all sorts of things.
Seriously, he goes into the weeds. He wants to go into the weeds. He’s like Ted Elliot and Terry Rossio’s site Wordplayer where they want to explain what muscles in your hand are used when picking up a pencil to begin writing. I’m talking about that level of detail.
As an inveterate geek who can pass as a “muggle,” I’m well acquainted with the concept of downplaying any connections to nerd/geek culture. My reluctance to unfurl my own weird flag has waned greatly over the past 15 years or so, but I understand that reticence.
This past week at work, talk drifted to Tolkien and constructed languages, or conlangs, because that’s how we roll.
Now, I’m not about to present any paper to the Language Creation Society. It takes a lot of time to create a full, working language. For Rogue Tyger, I have actual world languages stand in for the various human and alien languages, otherwise I’d be up to half a dozen conlangs by now.
Modern fandom is a tricky thing. Geek culture is ascendant in so many ways, often in service of mining intellectual property (IP) to find that latest multi-billion dollar franchise. And corporations appear so risk averse towards the potential market downside of new ideas that they will bet on IP, any IP, over people. At least, based on what I read in trade news about how studios are hungry for any known quantity, my premise is a studio executive will green light the next Battleship a dozen times before they say yes to developing the next Inception.
Thankfully, the studios also appear to be giving the keys of their IP kingdoms to people who love the originals more often than not. No longer will we have David Hasselhoff as Nick Fury. (Well, probably not, until late 90s nostalgia kicks in).
So when I heard word that there was going to be a prequel series to The Dark Crystal, a calculated move to hit us Gen Xers right in the feels, I was both excited and wary at the same time. And then they dropped this:
Now, for those of you who want to go deeper, there’s also a nine-minute “behind-the-scenes” promo that has a lot of the actors and producers involved. It’s here clearly to get one excited about the upcoming series
Do what you will this Labor Day weekend. I know some of my time will be spent returning to another place, another time… in the age of wonder!