The CDC announcement last week that vaccinated people could go all maskless all sorts of places has led to the inevitable realization for many of us that, “Oh, yeah. I guess we might be back in an office this summer.”
But even before then, I’m sure many of us have been contemplating more about what we want out of a job — along with wondering what is up with Zoom today.
So I found this article by Katie Heaney for The Cutto be illuminating. In fact, it feels like it could be a much larger piece… or perhaps deserving of a few follow-ups. But I’ll just leave you with the fact that we have a way to measure burnout and this seems like it should be rather relevant to the spiritual disillusionment of humanity in the early part of the 21st century… and stuff.
Not only is this theory potentially one of the best contributions by Gen X to modern philosophical thought, reading this article is integral to understanding how the Muppets were ranked. Because you, right now are either an Order Muppet or a Chaos Muppet. You will read the ranking from that point of view.
(I say this for the benefit of my fellow Order Muppets out there that would prefer to be Chaos Muppets and resent the heck out of the fact that we can only be zany in the narrowest of occasions).
So now I leave it to my Order Muppet patronus Kermit to say, “On with the show!”
Given the traffic some of my project management posts get, I figured I should get back to being wonky on Wednesdays or other days. I’ve recently rediscovered the Vlogbrothers, aka John and Hank Green, and have been cycling through their videos at a fast pace. That’s easy, because most of them are under 5 minutes and they contain some thought nuggets that fire the synapses in the most delightful way.
So then I came across this one from 2017 about productivity:
As some of you project managers and office denizens may have clued into, the “80%” he refers to calls to mind “the 80/20 rule” or the Pareto Principle.
And yes, the Pareto Principle started as something a bit different –and is invoked in a number of rather different arenas– but Hank Green’s reference aligns with how I most frequently encounter it in terms of quality control and optimization. Or put another way: perfect is the enemy of good.
And “done is good,” a fact I learned back when I was building sets and hanging lights and the curtain went up at 8pm whether or not things were perfect.
So embrace your 80%, people! Except for consuming ice cream. Finish that whole cone/bowl/pint/what-have-you. Exceptions make the rule after all.
As many of you may know, the audio theater troupe I run, Jabberwocky Audio Theater, has its shows start on broadcast radio, WERA-LP 96.7 FM in Arlington, Virginia to be precise.
WERA is community radio, as in the program literally comes from the community. And it gives back, with news, coverage of local events, and some of the best value in media training around (which includes TV as well, since WERA is part of Arlington Independent Media).
But it also depends on the community for financial support in the best of times, so this past year has hit them hard, and Arlington Independent Media is looking to keep on going through their 39th year and beyond. They’ve been integral to our getting Jabberwocky Audio Theater off the ground again in 2018 and we’d love to see them continue.
And here’s the thing, due to a distribution kerfuffle, people here in the United States almost missed an opportunity to see it until Netflix stepped up — and we’re all better for it.
Many people may not realized just how many different adaptations of The Little Prince that have been made. It’s a story that touches all of us (assuming we’re not too much of the wrong kind of grown-up). And while some people of my generation may remember Stanley Donen’s musical version from the 70s (aka the one with Bob Fosse as the funkiest yet disturbing snake you ever saw), the story of The Little Prince is not, to my mind, a feature film length tale. Much like Dr. Seuss’ How the Grinch Stole Christmas!, it’s better as a compact and moving half-hour special — though look how thoroughly Hollywood has ignored that assessment.
So what I love is that the 2015 film version tells the original story, but wraps it in another story of The Aviator passing the story along to a little girl. The girl herself is being raised by a single mother who, while loving, has clearly been buffeted by events offscreen in ways far too many of us can imagine. And so she wants her daughter to be serious and “essential” to better survive this crazy thing called life.
What I love, and why I would urge all of you to give it a rewatch on Netflix, is how many lovely little notes are adding into this as the story unfolds. There’s great truth and depth beyond the dialogue that hearkens to Terry Gilliam’s ‘Trilogy of Imagination’ (Time Bandits, Brazil, The Adventures of the Baron Munchhausen). In this way, I find the film to be great family viewing, because adults can get references and moments understandable only by experience, but it doesn’t make the tale too scary or dull for kids.
And for those of you who haven’t seen it yet, you will be treated to great voice work by Jeff Bridges, Rachel McAdams, Paul Rudd, Paul Giamatti, and more (the French version is similarly impressive from what I’m told for you French speakers). The score from Hans Zimmer and Richard Harvey is exhilarating, and the mixture of computer animation and stop-motion animation just feels right.
At the end, you’ll find you’ve seen a film that clearly tackles themes of imagination and the human spirit, but softly meditates on how we face life and face death. And that’s no small feat to introduce to a child, or remember as a grown-up.
So I hope some of you make the time to watch it before it leaves Netflix and, yes, I am aware of DVD/Blu-Ray technology and already have my copy in preparation for its departure. But for those of you on the fence, you’re more likely to click over to Netflix than order a disc. So go ahead. Treat yourself to a little movie magic.
If you’ve read some of his work or seen some of his interviews, the directness and clarity of his observations and suggestions will come as no surprise, but it could just be that one or three of the sentiments is just what you need to hear right now.
The first episode is online, along with a link to a fundraiser which will allow the producers to pay for the rest of the season, including making sure we actors get paid. So, especially if you’re a fan of human-centric thoughtful science fiction, give episode one a listen and spread the word. And if you are able, any ducats would be appreciated.
I’m pretty sure every film-loving kid grows up watches a series of thoroughly-enjoyable-yet-not-mind-blowing movies from their era that may not make all the “classics” lists, but age okay and hold onto that “that was solidly entertaining” air.
Some of this premise comes from watching many a film that my dad enjoyed growing up. And of course he treated us to the unequivocal classics of cinema both foreign and domestic, but he also made time to expose us to some other lesser known ones that, when he was our age, thought was a darn fine film.
Last month, I got to rewatch one of those films of my generation. I’m sure I’m not the only one who enjoyed The Last Starfighter when we first saw it in theaters, even if it wasn’t going to edge out the Star Wars trilogy or Star Trek II in our sci-fi ardor (note to younger folks: yes, there was only one Star Wars trilogy at the time).
Rewatching it reminded me both of the fun performances by veteran actors Robert Preston and Dan O’Herlihy, Lance Guest diving into two roles as our hero and Beta, and –waitaminute, blink and you’ll miss Gul Dukat! Plus, there’s an overall fun sense of adventure with the film… and they clearly wanted a sequel.
I’m bumping the post I planned for today because yesterday, we had some cool goings-on with space exploration, a topic some readers will know I follow (not the least because I enjoy science fiction and write science fiction — and who doesn’t like science fiction rooted in at least some science fact?).