Tag Archives: Rejection

Rejection and Gary Owens

How does Space Ghost take rejection? Stoically. Very Stoically.

I’ve linked to Mark Evanier’s series on rejection before. It’s very useful for writers — and many entries perfectly connect to film and TV actors and voiceover artists.

This latest installment may resonate particularly with voiceover artists.

In the realm of voiceovers (and frankly, in plenty of realms), people like to work with who they know.

And it’s not only who you know, it’s safe bets. How does this relate to Gary Owens (aka the voice of Space Ghost to many of my generation)? Read on!

Being a “Useful Writer’

Perhaps it’s the human predilection for pattern recognition, but because of the recent passing of William Goldman, I’ve been thinking a good deal about writing as it relates to getting one’s writing produced in Hollywood… and how random the process can sometimes be.

In Mark Evanier’s latest intallment of his “Rejection” series (which is worth checking out if you haven’t already, he notes that elusive, yet absolutely real writer quality of being “useful.”

You absolutely want to be a useful writer.

More on Writing for Free… or Very Little

I should spend more time talking about and linking to Mark Evanier‘s series on rejection. However, in the meantime, in light of my post on Monday, I figured I’d list Part 7 of his Rejection series which covers low and no pay writing.

One standout quote: “Working cheap or for free occasionally leads to getting paid decently but more often, it leads nowhere… or to more offers to work for little or no money.”

At the same time, I really like what he gets into in the second part of the post: about how peers can influence your decisions.

I’ve known I wanted to be a writer since I was in grade school. Naturally, as with anyone who’s ever wanted to do anything creative, I wanted my work to be breathtakingly original, if not all-out genre re-defining. And of course, I didn’t want to “sell out,” whatever that might be.

We can talk more about “being original” at another point in time, but through my later teens, I came to a much better understanding of what “selling out” meant. Simply put: “selling out” in most cases is a meaningless phrase others will foist on you, much like Eugene did in this case.

This isn’t to say you might not sell your soul. You may use your creative powers for evil, not good. There’s a lot of corporations out there that don’t share your values and scruples — and even if what they’re asking you to do isn’t criminal, it doesn’t feel right. The trick is that outside of actual criminal activity, you not the Eugenes of the world, get to define where that line is. You cross that line, you are selling out. Once you stop to examine what peers are advocating, you’ll see their lines are, almost to a fault, very different, even if they’re on your side. If they’re folks like Eugene, who want to hold you to a line to which they themselves don’t want to be held, run.