Last weekend… I did a bunch of chores. But I also did said chores while watching multiple panels and some breakout sessions for
the Online Writer’s Conference I talked about last week.
If you missed it, good news! You c
an check out the panels from both days on the same website.
Combined, it’s over 13 hours worth of insights and techniques from working novelists, screenwriters, and others.
So check it out! Perhaps while you’re taking care of a bunch of chores. I’m going to do that because I’m sure I missed a few things. Whatever works!
I have often mentioned
Scriptnotes, the screenwriting podcast hosted by John August and Craig Mazin, as a source from some really good information and inspiration for writing.
On the one hand, I could arguably link to them just about every week, but if I had to pick just one this year,
this week’s unprecedented solo effort by Craig Mazin is one you should listen to if you’re about to embark on writing a feature film anytime soon.
They’ve called it “How to write a movie,” but I contend the title above is more apt.
You’ll see. It’s good stuff. (Unlike what’s about to happen to your characters.)
As something to shake things up with your writing,
consider this piece on “still eating oranges” I see pop up from time to time. It’s about Kishōtenketsu, a storytelling structure familiar in many Asian narratives.
The article here focuses a lot on how it’s different from the Western focus on conflict, but I think it’s also worth looking at simply for the notion of the third act twist. Within a given narrative, say a narrative chock full of conflict, having these four beats happen can make for some fun plotting.