Working on a long, long term project due to launch later this year has me thinking about various film projects stuck in development hell that have finally seen the light of day -er- distribution.
The new hotness that is Altered Carbon (on Netflix as of February 2nd) was adapted from a 2002 book. Several friends have already mentioned about the differences from the book (some bigger than others), but I only recently learned more about how long it’s been in development. Basically, it was optioned the same year it was published and, as with so many projects, found an outlet via Netflix’s mad rush to create content. If you’re not averse to Game of Thrones level sex and violence, it will definitely scratch your cyberpunk itch (and did I mention Max Headroom himself (Matt Frewer) makes an appearance?).
Also on Netflix as of last Fall, is Scott Frank’s western mini-series Godless. This project appears to have started in a similar form to Altered Carbon, albeit as an original feature film vs. an adaptation. In both cases, the creators found the feature film format wouldn’t hold the story and so they expanded things to fit a larger canvas. Scott Frank goes into the long process of bringing this project to some form of screen on a great episode of Scriptnotes from last year. If you enjoy westerns that comment on westerns, like Unforgiven, you’ll probably like this (if you want it to live up to its marketing as a woman-centric western, you’ll likely be disappointed).
Finally, on a note closer to home, the indie period horror/mystery Dinner with the Alchemist has VOD distribution as of yesterday. I know a bunch of the people both in front of and behind the camera. And even though indie filmmaking is invariably an entrepreneurial activity, there are plenty of ups and downs — and persistence plays a huge part. In this case, the screenwriter, inspired by historical documents, has been working to bring this story to the screen for over six years. The project was thundering into production, got halted, and started again. And you’ll notice from the IMDb page that it’s in one sense from 2016 — and yet they needed to keep working until now for online distribution.
So here’s to light at the end of the long journey — or I guess in the case of all three of these examples, dark tales.
Happy Valentine’s Day, everyone!