Perhaps because of my time producing indie video –and now audio– works, I am quietly obsessed by the kind of data Jackson gets into. How much does it cost to make a comic book? How much should it cost? What’s sustainable?
Sadly, when it comes to the main creators, writers and artists, it’s not particularly sustainable in many instances. No solutions come to mind, though summoning the ghost of Harlan Ellison to mete out justice might not be a bad idea.
You see, for the longest time, the iconic character of Batman was credited pretty much only to Bob Kane, when in fact, that particular caped crusader was not a solo act. In fact, there’s a Bill Finger award that has been established specifically to recognize comic book writers whose work in comic book writing has gone previously unrecognized (at least significantly).
Alex Abad-Santos has a couple of interviews in Vox with the creators of God Loves, Man Kills, the seminal X-Men graphic novel that debuted 35 years ago. For many avid comic readers at the time –including myself– this was an eye-opening paradigm shift in what stories “comics” could tell.
(For ardent comic/graphic novel historians raising their hands to point out the work of Will Eisner, I was too young to read A Contract with God when it came out in ’78 and only learned about it and its follow-ups in the 90s).
While I dislike the conceit of mixing the two interviews so they could be misconstrued as one joint interview –and I hope this doesn’t become a norm– both writer Chris Claremont and artist Brent Anderson have several great insights into the work and their approach to storytelling in general.
One of my favorite quotes:
“Comics produced through avoidance of the real world are hardly satisfactory on any meaningful artistic level.” ~Brent Anderson