My now annual post about the Public Domain continues to a noticeable amount of traffic and I continue to find additional resources post-January 1st, so here’s two more. First is a video from energetic book-lover Jenny Fern whose 16-minute video about books entering the public domain. She is candid about not knowing some of the authors or characters at all, so don’t be hatin’ on someone who doesn’t know about Miss Marple, and enjoy this…
I think I’m going to need to expand my list of usual suspects for 2026, because there’s two more public domain pieces I want to share beyond the resources shared yesterday. First is an article, with plenty of audiovisual samples, by Ellen Wexler for Smithsonian Magazine. As you might imagine, the Smithsonian is very into collections, culture, and curating. Here, Wexler relies in part on Jennifer Jenkins, and the Center for the Study of the…
Happy New Year! One of my favorite new traditions since 2019 has been noting all the creative works that enter the public domain here in the United States every January 1st. For this year, 2025, that means creative works first published in the U.S. in 1929 as well as sound recordings from 1924. There’s a host of caveats and, of course, U.S. copyright is different from other parts of the world, often markedly so. That’s…
I’ve already done a couple public domain posts this year, notably the one for Public Domain Day and one on Monday about how people are, predictably, already having fun with the Steamboat Willie version of Mickey Mouse which entered the public domain in the U.S. on January 1st. But if you just want to get deeper into the legal philosophy behind public domain and also how that particularly involves Mickey Mouse, I have a couple…
I didn’t post this last week, but I actually saw some news even as I was posting about Public Domain Day last Monday: people aren’t wasting any time, Disney’s legendary legal ferocity be damned. One Steamboat Willie-themed Kickstarter launched on January 1st, there are memes aplenty (see image above), and –of course– there’s a horror movie. There’s plenty more in the works, as Sian Cain details for The Guardian (which also touches on the horror…
Last year I mentioned making a Public Domain Day post a tradition and so: Happy New Year to All! Plus, welcome to the public domain for so many goodies. For a great overview of said goodies on offer, check out this article from Aaron Moss over at Copyright Lately. Moss is an intellectual property attorney and is quite ready to delve deep into all things copyright. I appreciate that he goes beyond the much-covered fact…
I have a new source to look for regarding Public Domain Day every January… that is assuming Steve Shives returns for more merriment next year. I’ve already enjoyed his Star Trek commentaries and now I learn how much of a classic film buff he is — and he doesn’t mind singing. Truly, he contains multitudes. His phrasing is occasionally delightfully NSFW at moments, so be warned for when you watch.
I plan to do posts on public domain every year and I really should have last January for this clip alone, but the year got away from me early. Now that was last year, and most of you already know about the Winnie the Pooh horror movie soon to be out in the world? So what’s in store for 2023 and all the goodies from 1927 now in the public domain in the U.S.? As…
I will occasionally post about topics involving intellectual property and the public domain, most notably with new works coming into the public domain in the United States every January 1st. That means, in relatively short order, Mickey Mouse will come into the public domain, since his first appearance was in 1928’s “Steamboat Willie.” But whenever Disney and lawyers are involved, you know that no simple answer will suffice. Enter Quincy Stanford over at the Disney…
Since I’ve written about it before, I suppose I should make a habit of celebrating the fact that New Year’s Day is also Public Domain Day, which in the U.S. means that, as of today, any copyrights from works released or otherwise published in 1925 have expired and said works are now in the public domain. I should mention that I’m not an entirely disinterested party in these matters. As the head of Jabberwocky Audio…