One wonky thing I’m endlessly fascinated by is film budgets. When you realize that an hour of modern “prestige” TV can top $10 million, yet the average Hollywood blockbuster is over $100 million, you know certain choices are being made and risks accepted.
And yes, I know traditional theatrical distribution and traditional network and cable distribution have business models that can inform and support these widely disparate budgets. However, I lap up little tidbits from behind-the-scenes features and other clues dropped in media interviews for how crafty producers and production staff save money here and there.
Here’s yet another instance where I have to thank my dad for taking us to see no end of foreign and classic movies growing up (TCM before TCM existed, as I like to say). Among all the other lessons I absorbed was the implicit reinforcement that you can have a damn fine movie for less than a blockbuster budget. Don’t get me wrong, things cost money… and there’s always something that costs more than you’d like. But great locations, sumptuous costumes, and even some visual effects work are absolutely within reach of modest or even “low” budgets.
But I’m not satisfied with the theoretical. I want to know specific tricks to save time and money. I want to know the ratios to use when estimating this versus that. I want to know the types of risks associated with all the different departments making a film.
And while it doesn’t nail down all of that, Stephen Follows’ article about feature film budgets is a veritable treasure trove of exactly that kind of historical data.
Seriously, if you’ve kept reading up until this point, odds are much higher that you have been obsessing about these things too and Follow’s article goes straight to the kind of planning-based-on-historical-data producers (aka project managers) in any industry live for.
Read deep into the article and you will be able to plan risks and contingency budgets based by department. How cool is that?
This is energizing me for attending the VIP Film and TV summit next month.
1 thought on “Film Budgets… Through a Film Lifecycle”