Tag Archives: Film Industry

Field of Troubled Dreams

If you checked out my earlier post, you know that I’m readying the 2018 edition of my favorite films.

I always add a new crop of films to the sort every time, but I also find time to re-watch some of the old films… and Thanksgiving weekend proved to be a great time to do so.

One of the films was the delightful modern fantasy, Field of Dreams. Sharp-eyed readers will recall that it ranked #29 in 2016 and #22 in both 2014 and 2012. Given my reaction to the recent viewing, I won’t be surprised that it remains in my Favorite 50.

I knew that someone maintained the baseball field at that location out in Iowa, so I was curious what the status of it was.

I sadly found that the field was actually related to two different farms and there was a bit of a controversy (as per this USA Today story from 2014).

It’s apparently in the throes of being re-vitalized as part of an overall baseball destination by a group called Go the Distance Baseball, LLC. They also have a general website that speaks a bit about it.

I’m not sure if I’ll get there anytime soon, but for those of you looking to make the trek, but it’s still on the list of film locations to visit.

Being a “Useful Writer’

Perhaps it’s the human predilection for pattern recognition, but because of the recent passing of William Goldman, I’ve been thinking a good deal about writing as it relates to getting one’s writing produced in Hollywood… and how random the process can sometimes be.

In Mark Evanier’s latest intallment of his “Rejection” series (which is worth checking out if you haven’t already, he notes that elusive, yet absolutely real writer quality of being “useful.”

You absolutely want to be a useful writer.

So Say We All… Well, Except for Those Chuckleheads

I touched on notions of fandom with my Crisis of Infinite Star Treks series and certainly toxic fandom has been more on people’s minds in the past year or so in any case (see, for example, these pieces on CNET and in Wired).

So it was interesting to read Ryan Britt’s piece in Den of Geek talking with the writers of So Say We All, a new book about the Battlestar Galactica remake… including the fact that it was not just a remake, but a “re-imagining.”

There’s obviously more in the book than just the subject of fandom, but that’s the focus of the article. Certainly, BSG –as it’s often abbreviated– provided ample opportunity for toxic fan uproar from its short yet expansive stint on TV. I’m sure had it been made nowadays, the uproar and venting would have been omnipresent. Much of what they pulled off was nothing less than exceptional, but let’s just say I don’t want to be in a room of BSG fans discussing how the series ended. That’s just going to get unpleasant.

They Like Me, They Really Like Me… But not as Best Picture

Earlier this week, the Academy of Motion Picture Arts and Sciences (aka the people behind the Oscars) announced they were adding a “Best Popular Movie” category.

(I mean, it’ll probably be called “most bestest outstanding achievement in popular film” or something like that, but you know what I mean).

On the one hand, it’s their awards and award process, so change away. On the other hand, why shouldn’t they tweak and adjust and change their award categories and methodology as they have just about every decade?

(By the way, I absolutely think one of the tweaks should be adding “Best Stunt Choreography” category — and no, you don’t need to eliminate any of the other awards to add that).

But on the third hand –and it’s really better you don’t ask where the third hand comes from– there’s something of a whiff of desperation simultaneously coupled with a complete lack of understanding of why the general public does or doesn’t find the Oscars relevant that really should have been resolved during The Dark Knight “lack o’ Best Picture nom kerfuffle.”

(An article in Variety appears to validate that there is some desperation involved).

It sounds like a bad idea to me… and it also sounds like a bad idea to Vox’s Todd VanDerWerff who has many thoughts on the subject. I agree with many of them, including the notion that maybe it’ll not turn out to a bad idea.

Their track record at nominating worthy “genre films” for Best Picture does not reinforce that notion however.

UPDATE: The crew at Vox came up with 6 categories to introduce rather than “Best Popular Film” and I’m happy to say it includes one for stunt choreography. I generally am down with all the categories. I think the “Best First Film” would really bring some excitement into the proceedings the same as I see similar awards in other places. The one caveat I’d suggest from chatting about the categories on social media is that the “Best Motion Capture Peformance” should be awarded to the performer and the lead artists/animators. I think that’d be a cool way to remind people of the team creative effort it is.

Increasingly, Netflix Prefers Its Shows Homemade

Netflix is spending billions of dollars each year on content, so –love ’em or hate ’em– it’s usually good to know what they’re up to.

Adam Levy, over at the Motley Fool, has a piece that goes over Netflix’s drive to spend billions in creating original content is actually trying to save money in the long run (even if Fools don’t think Netflix is going to be truly “50% originals” as sometimes reported).

For indie filmmakers, definitely check out the last paragraph relating to I.P.

Indie Film Financiers

One filmmaker friend I know is fond of saying that “How do I find the money to make my film?” isn’t just a indie filmmaker’s question, it’s the question.

So granted, the odds of you being in a room –or even an elevator– with them are probably not the greatest, but just in case, here’s Hollywood Reporter‘s list of 25 financiers who could actually greenlight and bankroll your feature.

(My one friend, meanwhile, is not one to sit around and wait. Never wait. He’s decided to organize a “shark tank for filmmakers” set in August later this year.

Oh, and if you’re thinking of crowdfunding your next indie opus, another filmmaker friend has your back with a course on Lynda.com.

Princes Come and Princes Go… same with TV Shows

So I was just posting about pilot season this morning, it seemed only right to mention the other end of the lifecycle.

As is usual, Vox has a rundown of all the shows that have been cancelled or come to a natural end, those that have been renewed, and your favorite show which is on the bubble.

I’m mainly concerned about the uncertain fate of The Expanse, but it probably is better situated on a streaming service anyway. Still, if one of them could pick it up soon…

Hollywood Pilot Season & Casting

Every Spring, I get social media posts –usually very vague ones– from friends closely involved with “Pilot Season,” that period every year where writers, actors, and others hope to get staffed on potential TV shows that will go from potential to actual (i.e., they get “picked up” and move into production for additional episodes).

The Hollywood Reporter polled a bunch of casting executives about their thoughts on this season. I guess I missed it because, up until last week, it really didn’t feel like Spring. Nevertheless, I still found it interesting and perhaps you will too.

 

The Show is Dead. Long Live the Show.

Okay, so what with streaming services, shorter TV seasons, and season premieres popping up whenever there’s a quiet moment, this list from the Hollywood Reporter doesn’t carry the same import, but I still find it interesting look over what’s been renewed, what’s ending, and what’s precariously on the bubble in terms of TV shows.

Peak TV, Sci-Fi Edition

Somewhat riffing off my post from Wednesday, I’m once again considering our current golden age of television (aka Golden TV Age II: Serial Storytelling Boogaloo).

There’s so much great television to check out, there are whole series that have come and gone that I haven’t gotten to yet.

Alison Herman over at The Ringer delves into what this means for science fiction –and “genre fiction” in general– as they hold greater sway over pop culture on both the big and small screen (and yes, the screen definitions are becoming more moot in some ways). It raises many big and small questions. For example, will people who’ve read the Silmarillion more than once feel vindicated by Amazon’s 4,000 Tolkien series? Will Adam Savage make another appearance on The Expanse? Will I ever get around to watching more than the first episode of Lost?

As always, stay tuned.