A significant factor on why I believe it should be ranked so highly is because of the episode-specific music composed by Sol Kaplan. Viewers may recall the original series re-used a lot of music cues as a cost-cutting technique. The fact that they don’t do so here underscores (pun intended) how a composer can really bring a story alive.
Composer Shem von Schroeck has an hour-long video that goes into the music and the episode in depth. The first 10 minutes are discussing and demonstrating some of the themes Kaplan uses. The next 50 are a special annotated version of the episode itself, highlighting which music is used when. It really gives you an appreciation for how much art and craft goes into composing for the screen.
I posted yesterday about Marvel movie music, which I found interesting since –while I’ve collected movie soundtracks since I’ve been little, I haven’t gotten around to getting any of the Marvel soundtracks. (Though I do remember the Avengers “fanfare.”)
One recent soundtrack that I have gotten, however, is Game of Thrones, composed by Ramin Djawadi.
So, I talked about comics and Captain Marvel specifically so far this week… and that got me thinking more about the Marvel Cinematic Universe and then I thought of “Every Frame a Painting’s” critique of Marvel’s movie music.
I know I’m not the only one who grew up collecting movie and TV soundtracks… and the opening themes of many works retain an almost Pavlovian response on me (and I’ve also tested this on my kids in the name of parent science: the Fraggle Rock theme still works).