Tag Archives: Publishing

A Look at the State Of Publishing: Traditional, Indie, and Self

I know author Kristine Kathryn Rusch mainly from her short stories in various science fiction magazines, but the truth is she writes across multiple genres and –apparently because sleep bores her or caffeine works particular wonders on her nervous system– she also edits, publishes, and shares all sorts of insights about said writing, editing, and publishing.

So when someone posted her thoughts about state of publishing in 2017, I thought it was worth a read… and you might, too.

The Nitty Gritty of Writing a Non-Fiction Book

As I mentioned last week, I’m giving a talk tonight for actors on mass auditions and indie casting. And I’ve previously written a lot on my company website about indie casting.

So, it probably comes as no surprise that I’ve thought about distilling and refining those thoughts into book form (and several people have suggested it — leading me to believe it’s a decent idea).

Enter Joanna Penn’s exhaustive article about how to write a nonfiction book. I especially like the time she takes on breaking down why one would want to write a nonfiction book and how that would translate into the audience one goes after. That’s one of those angles that can be all-too-easy to forget until you have 20/20 hindsight. I also appreciate the way she demonstrates how a book can factor into selling your overall brand or business, which should probably be part of one’s strategy.

It might be time to revisit the notes I’ve made about potential casting books…


I Guess It’s Too Late to Change the Site Name…

There is a theory that placing two coat hangers in a closet produces more coat hangers through some frenzied yet illogical process of inorganic reproduction that’s best left unexamined outside of a Philip K. Dick short story.

If someone suggested that placing two web articles in the Internet equivalent of a closet would produce an article about writing, I would believe them (whether or not the person suggesting it was Phillip K. Dick).

This may explain the overwhelming amount of articles about writing on the Internet — and despite their freakish origins, I read a lot of said articles.

So in the spirit of my focus earlier this month on business plans and planning, I wanted to share an interesting article by Kristen Kieffer in The Verbs that goes over some of the things one should think about as they plunge forward along the journey of being a full-time writer. I especially like the reminders about all the different avenues, back alleys, and overall channels writing could make some ducats. There’s also the important question of one’s “author brand.”

I admit, with working on getting Jabberwocky Audio Theater back off the ground and improving Stonehenge Casting, I haven’t given too much thought about my “personal brand.”

And clearly, I should have thought about what kind of pen name I should have and how that informs what kind of writing I write. I mean, when I think of Bjorn and writing, I think of  him:

Pictures of Bjørnstjerne Bjørnson are invariably intense.

Admit it: you wouldn’t want to be caught in a dark alley in Tromsø with this guy. It’s like every Ingmar Bergman slasher film you’ve ever seen. Don’t quibble with me about the fact that Ingmar Bergman is Swedish and, also, has never made slasher films: you know it’s true!

I suppose it’s not that bad. I mean, if I want to tell bitterly realist stories that end in families crying — or perhaps take a turn at nihilist crime fiction, I’ve got the name for it. But what if I want a bit more adventure? Something that has a bit more action or, dare I suggest, swagger? Well then I probably need another name. Something like “Jack Stone” — or “Brick Gunderson” if I wanted to keep some hint of Scandinavia. Construction materials need to be involved.

I guess it’s too late to change the site name.