The first episode is online, along with a link to a fundraiser which will allow the producers to pay for the rest of the season, including making sure we actors get paid. So, especially if you’re a fan of human-centric thoughtful science fiction, give episode one a listen and spread the word. And if you are able, any ducats would be appreciated.
For those of you who aren’t adverse to making lists and know that producing a film means you need to know what Inland Marine insurance is, this is the nitty-gritty (albeit lightning-paced) panel for you as we go through the unglamorous aspects of filmmaking.
Last Fall, the launch of Jabberwocky Audio Theater was still over half a year away, so I decided to throw my hat in the ring to act in a Star Trek fan production. I got the opportunity to play a Vorta, one of the Dominion’s genetically engineered races. The Vorta might be described as the carrot to the Jem’Hadar‘s stick, but let’s be honest: Vorta are perfectly happy to abandon the carrot when they can make a veiled threat in a voice that would make Dolores Umbridge swoon.
Anyway, I naturally looked to the portrayal of Vorta in official Star Trek for guidance. The wonderful Jeffrey Combs, in his portrayal of the various versions of Weyoun sets the standard for Vorta and unctuous menace (seriously, how he comes across as both a people-pleaser and a pitiless martinet is marvelous). However, I also noted Gelnon (played by Leland Crooke), who first appeared in “One Little Ship” as a good model. He seems to take quiet satisfaction in furthering the Dominion’s ruthless goals — which, I guess, is my way of saying this Vorta is not a nice guy.
Ruthless Vorta aren’t the only familiar thing you’ll hear in this series. If you’ve heard or watched other Star Trek fan productions, this will ring true. Shields will go down. Evasive maneuvers will be made. Loyalties will be conflicted. And all of it will connect to events and characters you’ve seen in official Trek.
I got to be the stadium announcer you hear during the matches, which required me to record roughly 147,000 different responses depending on whether the players triumph or fail. Here’s a video review with some game play. You can see the match and hear me at about 1:30 in the video, but he actually responds to one of my quips at 3:10 or so, which I love. It makes me feel like I did my job as a voice artist (NSFW Caution: the reviewer uses some profanity).
Those of you who find the announcer really annoying may be slightly gratified to know that my voice was bit hoarse after the multi-hour session needed to get every variant line laid down. Of course, that was only the case for this Sunday, SUNDAY, S U N D A Y ! ! !
I grew up with all sorts of creative Virginia Lottery spots, so it was fun to be a part of one.
Much like my recent work for the highway safety spot, I can’t find a link to the specific ads I’m in online, but if you hear a Smithers-sounding flunky in the radio spots for Virginia Lottery’s Corvettes & CA$H scratchers… yes, that’s me. The radio spots started around June 6th and should still be going until the end of the month.