Just last month I was musing about how, even in the face of “nerddom’s” ascension in all aspects of pop culture, people still feel the need to belittle or otherwise distance themselves and their work from science fiction as if the genre itself was wildly radioactive.
Now, in the face of a more meditative and gritty look at the origins of Joker –with more than a few homages to Martin Scorsese’s films– Scorsese himself felt the need to denigrate the Marvel film juggernaut as not “cinema.”
Now, on the one hand, that assertion is silly. It’s like saying a hamburger isn’t food because its preparation and presumed nutritional value isn’t on par with the fare from a three-star Michelin restaurant (and yes, you won’t surprise me if you produce examples of people asserting just that).
On the other hand, the aspirations behind films (and food) can vary greatly. “The Remains of the Day” is going for something different than “Sorority Babes in the Slimeball Bowl-o-rama” — and anyone insisting “they’re the same” because “they’re both feature films” can and should be summarily mocked.
Kareem Abdul-Jabbar wrote a piece in the Hollywood Reporter that tackles just this dichotomy tackling the elephant in the room that is the notion of “high art.” It’s well worth a read.
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