I’ve been musing on the old –and to my mind, inaccurate– advice to “write what you know” and I’ve been meaning to write a post about it. But in the meantime –and perhaps for the better– how about I just link to a piece by novelist (and occasional Tohubohu screenwriter) Barry Lyga? There’s a whole lot of nuggets in here, but I won’t spoil them for you. Suffice to say I agree with a lot…
This week, I joined the Streaming Nonsense crew in their mission to review lesser known films available online. This time, we looked at The Velocipastor. Is it everything you want from a disillusioned-priest-becomes-dinosaur-and-fights-ninjas movie? Give a listen.
The New York Public Library (NYPL) released a list of its most checked out books in its 125 year history (it was founded in 1895). Coming from a family that includes librarians, archivists, and avid history readers, this was delightful news. I learned about it as the NPR story covering it was shared widely among my social media channels. One curious note in the NYPL release: an honorable mention for Goodnight Moon, which I suppose…
I’ve mentioned author and indie published Russell Nohelty a couple times on the blog, both specifically about his book on selling your work and in his detailing his efforts to build his business. So, as a bit of follow-up, all last year he did a monthly income and expense report about his business, often detailing what worked and what didn’t, what his predictions were, and what the basis of those predictions was. It was wonderfully…
Magic and writing? Redundant, I know. But anyway, this is from last year, but Japanese writer Haruki Murakami‘s birthday was yesterday, so it popped up in some of my feeds. Emily Temple over at LitHub collected several of his observations on writing and –what can I say?– they’re a good way to start off the week.
Public Domain is a topic I periodically cover here on the blog and what with works beginning to enter said domain once again in the United States as of last year, I suppose this might become a January tradition. Thousands of works from 1924 are now yours for the re-imagining as detailed here in Smithsonian Magazine, Vice news, and art news site Hyperallergic. I expect a heavy metal version of “Rhapsody in Blue,” stat. Get…
Moving on from trying to make hobbies conspicuously unproductive, there’s the notion on not waiting on one’s creative aspirations and making things. I wrote a longer post a couple years ago about this need to do and complete creative works, in part referencing the column above. Time is finite for us mere mortals, so you need to figure out where to feed your creative side while life happens. Maybe it’s on the job, maybe it’s…
I’ve linked to Mark Evanier’s series on rejection before. It’s very useful for writers — and many entries perfectly connect to film and TV actors and voiceover artists. This latest installment may resonate particularly with voiceover artists. In the realm of voiceovers (and frankly, in plenty of realms), people like to work with who they know. And it’s not only who you know, it’s safe bets. How does this relate to Gary Owens (aka the…
If you’ve checked out any of the anthology series “Short Treks,” you’ll know the arguable standout thus far is the first season’s “Calypso” co-written by Michael Chabon. Chabon, probably better known to many as an award-winning novelist, also wrote this season’s “Q&A” and is the showrunner for the forthcoming Star Trek: Picard. When I saw a behind-the-scenes photo of Chabon and the Vasquez Rocks (a popular Hollywood “exotic” filming location and one very storied for…
Perhaps it’s because NaNoWriMo is nigh, but I found this piece in Wired about exploring and expanding the notions of “must read” works interesting. (I’m currently trying to fold in a bit more reading each day).