I began this year advocating creating art as a hobby and I tried to practice what I preached shortly thereafter. Most people who know me generally observe I’m pretty darn busy which is one of the reasons that I feel the need to carve out time that is entirely not productive. It’s hard in today’s “make every job a gig and make every gig a hustle” economy — and heaven help you if you want…
Trying to make a living –or just some nontrivial income– from your creative endeavors seems like a monumental task. At least it feels so for me. Luckily, for me, I enjoy some of the minutiae of process and procedures and figuring out devilish details I can repeat so all that small stuff is not stuff I sweat over. Then I constantly get reminded about how much I don’t know. Also I don’t have enough time.…
Let me start by giving credit where credit where credit is due. The inspiration for this post, and indeed the title above, comes from a post this past May by Russell Nohelty on his Complete Creative site. His post hit on the current issue I have with Jabberwocky Audio Theater. It’s perhaps the most difficult metaphorical needle I’ve ever had to thread — and so I’m writing it about it here in case you’re in…
Someone posted an article by Casey Lesser on Artsy about one of those things we creative folks already knew. Having a network is important. In this case, some MOMA researchers looked at artists in the 20th century, their personal networks of colleagues, and their work to do analysis on how much “who you know” helped. How to network is worth its own series of posts, but reading some of the observations was interesting… and there’s…
I had the opportunity over Presidents’ Day weekend (aka Washington’s Birthday weekend for OPM sticklers) to do something I can’t remember doing in a long time, if ever: painting miniatures. Many of my gamer friends have various Warhammer and related armies and I know my efforts are not remotely in their league. They paint minis regularly. In fact, for several, it’s a bona fide hobby. One preditor friend (that’s producer-editor for the uninitiated) has taken…
I thought I had already posted this article by Sean Kane from 2016, but evidently I hadn’t. So go ahead and read up on seven darn good scientifically-backed reasons why you should make art even if you’re not “any good” at it. A perfect example of simply making art is Inktober, an annual event to do an ink drawing every day during October. I did this with my son –and moms and dads reading this,…
Two of the podcasts I regularly listen to, Scriptnotes and Maltin on Movies, both note how a given actor or other creative artist regularly takes 10-20 years to become an “overnight success.” They note this, in part, because the whole idea of the precocious talent, the creative who does genius work just out of the womb, seems so engrained in our culture, you kind want to stop and say, “Wait? Is that really normal?” Nope.…
A certain cavegirl reminded me of a long article in The Atlantic by William Deresiewicz charting the evolution of “the artist.” I first read it a couple years ago, but it remains quite relevant in 2017 — perhaps more so. It delves into what it means to be “a creative” in the world today and even touches on the commodification of “being creative.” Commodification isn’t the only concept in the article that triggered memories of my…