Tag Archives: Future TV

Netflix Says “Game On”

Evidently, this month had gotten away from me –at least in term of blog updates– so this is most definitely old news, but remember how I noted that Netflix was getting into podcasts?

Well, apparently they’re getting into video games as well.

Shall we play a Netflix game? (Photo: the 1983 film WarGames)

Per the Vox/Recode article, they’re looking to start with games based on their existing properties (e.g. Stranger Things) and their hire of a former Oculus executive may bode a move towards virtual reality and interactive media (mainly my non-groundbreaking speculation, not the article’s assertion).

Meanwhile, not just a few people are wondering about this move into video games. This is an area where I’m not ready to speculate, but I am very interested in what happens next.

Do You Hear What Netflix Hears?

The podcast hills may soon be alive with the sound of Netflix. That’s what I’m gleaning from this Bloomberg article about the new Netflix executive in charge of podcasts.

N’Jeri Eaton (photo via Netflix)

N’Jeri Eaton comes to Netflix by way of Apple and NPR. An award-winning storyteller, she has roots in documentary filmmaking, something near and dear to many a DC filmmaker.

While that’s all cool, the big surprise from the article for me was that not only that Netflix has a number of podcasts already –many being deeper dives into their TV shows and films– but that they are building up publishing and social media presences. That growth as an overall media company is, I suppose, something one might expect, but I confess to still thinking of Netflix as the streaming enfant terrible vs. “another media conglomerate.”

I’m also, for obvious reasons, wondering if they’re going to start making moves into original audio fiction.

James Bond Will Return… With Free Shipping

Last week, I mentioned the big news that was AT&T’s retreat from WarnerMedia (still to be approved). And, as many people have noticed, media consolidation continues apace.

This week’s revelation? Amazon is looking to buy MGM.

“Do you expect me to talk, Goldfinger?” “No, Mr. Bond, I expect you to increase our market share!”

Now, since MGM has been trying to sell itself for a while, this may not come as a surprise, but what this means for consolidation… well, who knows?

Media Mashup as Discovery to Acquire WarnerMedia

I first learned of this over the weekend in an LA Times piece, but AT&T, who only a few years ago, bought Time Warner in a bid to become a new powerhouse entertainment ecosystem, is planning to sell its media goodies to Discovery Communications.

The resulting combination of scripted and unscripted shows, films, and assorted media could be peanut butter & chocolate or cookies & okra. I honestly don’t know and don’t particularly have a battlebot in this fight.

Photo via Getty Images/Bloomberg from Ars Technica article

But from both the LA Times above, a piece in Ars Technica, and one from the New York Times that the various Conventional Wisdom is abuzz amongst the factions that are wont to have Opinions and Conventional Wisdom: other media companies, telecoms, Wall Street — and the people who follow media companies, telecoms, and Wall Street.

Now, all of this is dependent on shareholders and regulators agreeing to the sale, but there’s sure to be ripples from this.

Warner Bros. Decides to Upend Theatrical Releases

Just shy of two weeks ago, Warner Brothers decided to drop a bombshell by saying that all their 2021 films would simultaneously go onto their streaming service, HBO Max, along with theaters, as reported in industry publications, Variety and Hollywood Reporter.

Some of the 2021 film slate (photos courtesy of Macall Polay/Warner Bros.)

This announcement broke a certain segment of the Internet the Thursday it dropped because –shockingly– Warner Bros. evidently didn’t let any of their producing partners know.

And that’s a big deal, not simply from being courteous to your business partners, but there are hundreds of millions of dollars at stake since a big way production companies and above-the-line people get money is through profit participation in the theatrical ticket sales.

Now, Warners evidently wants to mitigate this by generously estimating what the ticket sales might have been and paying the profit participants thusly as they’ve done for the director and star of Wonder Woman 1984.

Of course, this may mean money is left on the table as far as directors, stars, and producing partners are concerned –to say nothing of potential problems with existing contracts. Director and lover of the big, big screen, Christopher Nolan is reportedly furious. And the director of the new version of Frank Herbert’s epic saga is absolutely incensed — in part, fearing that this move might tank the possibility of this kicking off a proper Dune franchise (a lot of books have been written in this series).

If you know The Business, a weekly news show about the entertainment industry led by veteran report Kim Masters, you might expect they have something to say about it and they do.

The week of the announcement, they devote much of the opening segment to it (where it really drives home how much Warner Bros. did not tell anyone this was coming). And the episode this past weekend is all about it.

We knew there would be more and more of shift to streaming in the next few years, but what falls out from this attempted unilateral shift by the Bros remains to be seen.

A Great Disturbance in the Mouse

2020 continues to be decade of twists and turns stuffed into one unrepentant year.

Now, the whole future of filmed entertainment might be changing course because a certain large House of Mouse has recently said it’s focusing on streaming.

Make no mistake. This is big.

Video

Tough, but Fair: Streaming TV Edition

Since I’ve often commented on the future of TV (some of the posts being the most popular), checking out a rundown of all the streaming services seems apropos.

So I had to share this latest installment from the folks over at Honest Trailers:

20 Minutes Later into the Future

Max Headroom is one of those series I definitely need to rewatch, as it feels like it’s disturbingly more prophetic than we’d like these days.

Bryan Bishop over at The Verve has put together a lengthy oral history of the show and pop culture phenomenon. Check it out!

Disney+ has added a lot of subscribers

I guess this is turning out to be the week that my eye keeps catching articles about streaming services, given Monday’s post.

Yesterday, Peter Kafka over in Vox mentions how Disney+ now has over 28 million subscribers. While that’s nothing compared to Netflix’s well-above 160 million subscribers, it is impressive on top of its already impressive debut in November with 10 million subscribers. It also makes Disney’s stated goal to get to 60-90 million subscribers by 2024 very doable.

In fact, I won’t be surprised if they get over 40 million before the end of the year as they appear all ready to entice additional viewers with the upcoming Marvel shows starting in August — and then there’s the return of the Mandalorian in October.

I’ve searched for a succinct chart that lists the various streaming services, their last reported subscriber numbers, and their/analysts’ projections. I haven’t found anything yet, but a CNBC piece highlighted Disney+ and its debut subscribers and reporter Alex Sherman did provide some numbers of other services for comparison.

If there’s a “FiveThirtyEight” style chart out there, definitely let me know.

Netflix and a “Less is More” Strategy

I know I’m not the only one who’s noticed how much content seems to be slipping away from Netflix as more and more companies take their metaphorical Matchbox cars and go home. And by “home,” I mean “create their own streaming service.”

Rani Molla, writing in Vox, goes into how Netflix is trying to do more with less content, including more subscribers and more awards.

The article itself covers a number of topics, including how –two years after I was reading about it– Netflix really has succeeded in getting more of its content to be homemade.

I mean, I understand they want to have some legitimacy, prestige, and a glowing reputation. I just want it to have over 10,000 titles. And, by gum, I want it to be an online streaming archive akin to the old Leonard Maltin Movie Guides. How about that, Turner Classic Movies (TCM)? How about you work on curating all that awesome content you do and just let Netflix distribute it. Change money as makes sense.

What’s that you say? TCM is part of Warner Brotheres which is part of AT&T and that’s doing it’s own streaming service so there’s no chance in Hell or Gotham that might idea of Netflix-as-distributor will come to pass?

Rats.