You Don’t Know How Good Every Painting Is Until They’re Gone

They say all good things come to an end. In the case of podcasts and online video series, I suppose you don’t know how good a thing is until it’s gone.

So it was with some sadness that I took the time to read the postmortem by Taylor Ramos and Tony Zhou explaining how their YouTube series, Every Frame a Painting had come to an end. A friend and fellow fan of the series sent the essay to me and I had to pause before going through it in depth.

Yes, this is still a “Motivation Monday” post. Stay with me.

If you haven’t stumbled across this series before, it’s a lovingly obsessive look at the craft and technique that goes into making movie magic done by some lovingly obsessive creative folk.

I first got to know about the series with their piece on Akira Kurosawa:


Another favorite is about the “Spielberg Oner.”

Even though I’ve been a cinematographer for only a few projects, I know how much work can go into making moves like these look so organic and effortless. That makes me love them all the more.

And it also motivates me to go out and make something extraordinary. If you’re a filmmaker, go on and watch a few yourself. See if it doesn’t inspire you to approach your next project with more verve.

But don’t forget to read through the postmortem. It shows what level of love and dedication it took to make what these “nutrient-rich” videos packed full of insight. And it explains why they decided to move on.

But the motivation remains. Kudos to Taylor and Tony — and I know I speak for many when I say I hope we see you online again sooner rather than later.

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